-清乾隆年制珐琅彩碗有没有公司收购

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　　珐琅彩瓷器从创烧到衰落都只局限于宫廷之中供皇室使用，是“庶民弗得一窥”的御用品。

　　相传历史上在我国江西瓷都附近，曾有一产胡姓人家，世代烧瓷为生。他家的瓷制品因 为精美得到了百姓的欢迎，也就惊动了官府。乾隆南巡时他的臣子将胡姓制瓷献给皇上，得到皇上大大赞美。大臣想让胡姓人进宫专为皇上和皇宫制瓷。 因为种种原因姓胡的不愿意进宫，于是大臣们在宫里特设一个窑，按照胡姓人的烧制方法烧制出了精美的珐琅彩瓷器。为了表宫里与民间的不同，也为了显示这种瓷器的出处，有人就将“胡”字拆开，将专为宫中烧的这种珐琅彩瓷器叫做 “古月轩”。

　　珐琅没有大的器物造型，绝大多数是盘、碗、杯、瓶、盒、壶，其中碗、盘最多，只是每一品种都有不同的变化。另外还有一个品种是宜兴紫砂陶胎外绘珐琅料彩，这也是难得一见的。珐琅彩瓷器在胎质的制作方面是非常讲究的。胎壁极薄，均匀规整，结合紧密。在如此的胎质上又施釉极细，釉色极白，釉表光泽没有桔皮釉、浪荡釉，更没有棕眼的现象，确可用“白璧无瑕”来赞誉。      

　　珐琅彩瓷的特点是瓷质细润，彩料凝重，色泽鲜艳靓丽，画工精致。制作珐琅彩瓷极度费工，乾隆以后就销声匿迹了。

　　ly bought a pot kangxi "yu le figure", screen is a lot of people standing in the water, with a basket in his hand. At that time, I don't understand, look not to

　　understand these people were standing in the water, with a basket? I was a northerner, haven't seen the south this tool. Later I'll find the only three figure will

　　only know the "basket" is called "cover Quan", is a basket, but two is general, namely a bottomless basket. The journal three figure would be explained: "the hood,

　　bamboo weaving, empty two heads." Cover Quan is bamboo weaving, catch fish when a thrown into the water, put the fish in a hood, and then hand over. Northerners had

　　not seen! So I looked at the picture of each person holding a basket, don't know what to do, then I know this is fishing. I have just talked about, this kind of fish

　　is attack, is not the same as fishing completely, fishing can't enjoy the fun. Today people are willing to go fishing, no one is willing to take a basket in the water