傅抱石早年立下了“读万卷书，行万里路”的夙愿，一生潜心研究中国画的传统理论与技法，善于借鉴和吸收世界各国绘画艺术之长，用中国特有的水墨画形式挥写大自然生命的律动，描绘人物的精神气韵，融会进他爱家乡、爱祖国、爱中华文化的浓烈的情感。从三四十年代于巴山蜀水间创作的《潇潇暮雨》、《大涤草堂图》，以及忧国忧民的人物画《屈原》、《二湘图》、《丽人行》等傅抱石一生创作中国画 3000 余幅，并曾与郭沫若、徐悲鸿、陈之佛等书画艺术名流举办联展。徐悲鸿评价傅抱石全新的山水画使“三百年来谨小慎微之山水突现其侏儒之态”。张大千称他开创了中国人物画千年未有之新画风

　　傅抱石书画市场价值分析:

　　“中国名家书画精品拍卖会”在汉落槌。此次共有300幅名家字画上拍，一幅傅抱石的山水人物作品以700万元夺魁，刷新了今年以来武汉艺术品拍卖市场成交价之最。与以往不同的是，此次拍卖会吸引了近百位当代知名画家亲邮作品来汉试水。

　　成交记录:

　　傅抱石金刚坡时期作品《巴山夜雨》1848万元成交。

　　傅抱石金刚坡时期的作品《杜甫诗意图》6002万港元成交。

　　傅抱石《风雨归舟》，立轴，估价:600—900万港币。最终1500万港币落槌。

　　《松亭观瀑图》以港币123.6万元成交。

　　2011秋季拍卖会其中代表傅抱石鼎盛时期绘画作品的山水六开册页成为书画拍卖的一个重头戏，从500万元起拍，最后成交价达5300万元，创出傅抱石书画近期价格新高。据广州隆盛国际相关人士分析,傅抱石字画会越来越受到收藏和投资者的追捧，其经济价值极高

　　英文翻译:

　　In his early years, Fu Baoshi made the long-cherished wish of "reading thousands of books and traveling thousands of miles". He devoted his entire life to studying the traditional theories and techniques of Chinese painting. He was good at drawing lessons from and absorbing the best of painting art from all over the world, and used Chinese unique ink painting to write about nature. The rhythm of life, depicting the spirit of the character, blends into his strong emotion of loving his hometown, loving the motherland, and loving Chinese culture. From the "Xiaoxiao Evening Rain" and "Dadi Thatched Cottage" created in the 1930s and 1940s in Bashan and Shushui, as well as the figure paintings "Qu Yuan", "Two Xiang Pictures", "Lie Ren Xing", etc. There are more than 3,000 pieces, and he has held joint exhibitions with celebrities such as Guo Moruo, Xu Beihong, Chen Zhifo, etc. Xu Beihong commented that Fu Baoshi's new landscape paintings have made "the landscape that has been cautious over the past 300 years suddenly appear as a dwarf". Zhang Daqian claimed that he created a new style of Chinese figure painting that has not been seen in a thousand years. Fu Baoshi painting characteristics: The biggest feature of Fu Baoshi's pen is his Sanfeng style. Fu's Sanfeng style comes from the organic combination of tradition and its unique personality, from its profound knowledge and unique and rational understanding of tradition. "The chaotic and coarse clothes cannot be made into a quiet atmosphere, and the rigor and fineness cannot be achieved by the indulgence of pen and ink. The two are in harmony, and it is good." There is extreme in Fu Baoshi's chaotic and rude brushwork. Strict laws. This method was created after he "breaked the first method of pen and ink constraints." For thousands of years, vivid charm has been an important criterion for judging the quality of Chinese painting. Therefore, it is also the touchstone of the quality of the appraiser. Fu Baoshi's original works have such a strong feeling o