雍正粉彩在康熙粉彩的根底上有很大开展，不管外型、彩绘技法仍是纹饰，都到达空前的高度，可谓粉彩瓷器的代表作。官、民窑一起大量生产，精密的官窑成品可与搪瓷彩比美。之所以取得这样的成果，首先是它的地釉质量好，不管白度仍是透明度都超过了明代永乐的白釉，经测定，雍正粉彩盘的瓷胎白度到达77.5%。陶瓷史家陈万里先生说过:“雍正白釉之进一步进步，合于釉上施加软彩的请求，因而收到相互为用、相得益彰的作用。”雍正粉彩的彩料制造技能也较高，搪瓷彩在烧彩前与烧彩后呈色大致相同，而粉彩颜料则不同，除在红、黑二色外，别的颜色在烧之前无法差异，颜料制造后有必要进行试烧，合乎请求后才干正式彩绘，经低温彩烧后，颜色轻轻凸出釉面，彩面具有晶亮的光泽，有的粉彩纹饰的边沿还显现出彩虹般的光晕。粉彩的绘画技法多样，官窑更为讲究，有平涂、烘托、没骨、洗、皴、点等，适意、适意齐全，富有中国画的笔韵。所绘纹饰以花鸟草虫为主。人物故事画多为室内景观，人物线条柔软，仕女身形细长，面貌娇美，多衬以几案、绣墩、博古架等室内摆设。画面都留有必定的空白，显示出深远和层次感。还有气势雄伟的山水画，笔法劲健，设色较为浅淡。雍正民窑粉彩的花卉、花鸟纹饰粗暴，人物画中善绘刀马人物或戏曲故事中的情节，颜色凝厚淡雅，胎体厚重，琢器的外底部多为砂底。
Yongzheng pastel in Kangxi pastel foundation has a very large development, regardless of appearance, painting techniques are still decoration, have reached an unprecedented height, the famille rose porcelain can be described as a representative. The official kilns, together with a large number of production, the precision of the finished product can match with the color of enamel kiln. Because of such a result, the first is the glaze of good quality, no matter white is transparency are more than white glaze of Yongle in the Ming Dynasty, was measured, Yongzheng period famille rose porcelain white degree reached 77.5%. Ceramic historian Chen Wanli said: "further progress of the Yongzheng enamel, famille rose is applied on the glaze on the request, thus receives each other, complement each other." Yongzheng Pastel Color material manufacturing skills is higher, enamel color in burn before the color and decoration firing after a roughly the same color, and famille rose pigment is different, except in the red and black two color, other colors in the burned before not different, pigment manufacturing necessary trial burn, accord with the request of the ability after being painted, the color firing at low temperature, gently convex glaze color, surface color is brilliant luster, the edge of some pastel patterns also shows a rainbow halo. Pastel painting techniques and diverse. Government kiln is more exquisite, coating, foil, boneless, washing, cracked, and other, comfortable, comfortable complete, rich Chinese painting pen rhyme. The painted decoration in birds and insects dominated. Characters in the story paintings of interior landscape, soft character lines, ladies stature slender, the face of charming, lining to Jian, embroidered pier, A. Keita bocoum aircraft interior decoration. The images have a certain gap, showing a profound and hierarchical sense. There are magnificent landscapes, unique brushwork, color is pale. Kilns Yongzheng pastel flowers, flower decoration rough, characters painting a good draw knife horse people or opera story plot, color condensate thick elegant, thick matrix, Zhuo bottom for sand bottom.
雍正粉彩的外型极为丰富，不管是餐具、文具仍是摆设品都很优美，一改康熙时古拙厚重之感。大型器规整不变形，小型器各部位处理谨慎妥当，反映其时制造窍门的高明。其青花款识六字二行者为专人书写，字体工整有力，青花色彩纯正。六字三行者书写草率，而青花花押款、斋堂款则对比稀疏。
现代拷贝的雍正粉彩盘、碗在市场上对比多见，其特点是胎体过于轻浮，地釉近乎粉白光亮，也有亮青者，有的纹饰绘画精密，器底青花书写“大清雍正年制”款。全体看具有必定的雍正官窑粉彩个性，但仔细观察拷贝水平还不能真实达标，并且纹饰过于精密，反映出现代绘画的气味，缺少200多年的文明积淀。仿成品的青花款字体乍看与传世品相同，但仔细观察则笔划无力、松懈，尤其是青花色彩不冷静。更要导致留意的是，拷贝者为了到达蒙混过关的意图，也采纳一些补救的办法，就是在器物上作旧。作旧的办法不一，有的用磨大理石的极细的砂纸打磨，也有的用某种酸将器物腐蚀后再用皮带磨。别的传世品有“蛤蜊光”，因器物年久有些彩料或釉面因为长时间与空气中的氧结合，构成彩虹般的反射作用。现代拷贝者为了表现此种表象，将器物浸泡在高锰酸钾溶液中，可是这样制造出的“蛤蜊光”与传世品的仍是不相同。别的，新拷贝的雍正粉彩器也有颜色较厚的，这类器物大都彩面上无光泽，给人以很旧的感受。仔细观察，彩面是通过打磨的，打磨后还在纹饰线的周围淡淡地涂些黑灰色的东西，模仿出经年使用的痕迹。这些都是收藏者应当留意的。
拍品名称 估价（万） 成交价（万） 拍卖日期
清雍正 粉彩过枝芙蓉盘-------550-850万-------1207.5万------2011/6/5
清雍正 粉彩玉堂富贵天球-----1200-1500万-----1204万--------2014/5/28
清雍正 粉彩过枝菊蝶九秋-----380-580万-------1187.2万------2008/12/6
清雍正 粉彩牡丹蜻蜓碗-------400-600万-------1176万--------2008/12/6
清雍正 粉彩过枝花卉纹盘-----600-800万-------1150万--------2011/11/17
Yongzheng pastel appearance is extremely rich, whether it is tableware, stationery or furnishings are very beautiful, changed the Kangxi Guzhuo heavy feeling. The large device is regular and not deformed. The small parts of the device are handled with care and proper, which reflects the skill of the time. The blue and white style six words two walker to hand writing, strong blue and white font neat, pure color. Six words three Walker writing hastily, and blue and white flowers, are sparse compared Zhaitang yakuan.
Modern copy of Emperor Yongzheng pastel plate, bowl in the market comparison, the carcass is too frivolous, glazed almost white powder bright, bright green, some decoration painting precision, at the end of blue and white writing "Qing Emperor Yongzheng years of paragraph. All has the certain Guanyao Yongzheng pastel personality, but observe carefully copy level is not up to the standard, and the decoration is too precise, reflecting the smell of modern painting, lack of 200 years of accumulation of civilization. Finished generic blue and white typeface at first glance and handed down the same, careful observation strokes weakness, lax, especially blue and white color is not calm. More to pay attention to is that copy of the intent to arrive to muddle through, also adopted some remedial measures, is in the artifacts for the old. The old way is not a, some with marble ground very fine sandpaper, also some in some acid will artifacts corrosion and then belt grinding. Other goods handed down have "clam", because objects fallen some color material or glazed because for a long time in the air with oxygen binding, constitute rainbow reflection. Modern copy of a person for the performance of such a representation, the utensil soaking in potassium permanganate solution, but this produces "clam light" and handed down goods is not the same. Other new copy of Emperor Yongzheng pastel is also color is thick, these artifacts mostly surface color dull, give a person with very old feelings. Careful observation, the surface color is by grinding and polishing are still decoration line around lightly painted some black and gray things, mimicking the long usage traces. These are all collectors should be aware of the.
The name of the auction valuation (million) price auction date (million)
Qing emperor Yong Zheng pastel branches -------550-850 million -------1207.5 million ------2011/6/5 disc Hibiscus
Qing Yong Zheng Fencai Magnolia and celestial -----1200-1500 million -----1204 million --------2014/5/28
The Qing Yong Zheng Fencai branches chrysanthemum butterfly -----380-580 million -------1187.2 million ------2008/12/6 9 autumn
Yong Zheng pastel peony bowl of -------400-600 million -------1176 million --------2008/12/6 Dragonfly
Yong Zheng famille rose flower pattern plate branches -----600-800 million -------1150 million --------2011/11/17