屏风的制式可算是自古以来就有，最早可追溯至商周时期，当时是权力的象征, 《礼记》有载:“天子当依而立。”这个“依”，就是屏风。可见屏风在家具历史的地位非常高，我们从古装剧中也可以经常见到，皇帝宝座后面都有一座屏风，哪怕是战国时期题材的也是如此，明清就更不用提了，我们去故宫就能看到。随着时间的推移，屏风逐渐的走进了寻常百姓的家里。
Screen of the system is has existed since ancient times, the earliest can be traced back to chow period, it was a symbol of power, "rites" load: "son of heaven when according to all things hold together." The "on", is the screen. Visible screen on furniture history status is very high, we can also see from costume dramas, have a screen behind the throne of the emperor, even during the warring states period is the subject, not to mention the Ming and qing dynasties, we can see to the Palace Museum. With the passage of time, gradually entered the ordinary people's home screen.
此玉屏是取之和田尚品白玉之料，正面为滿屏皇天龙威镂空浮雕图，气势磅博，宏天浩荡，彰显出皇天龙威重贤臣，治国家的汉武盛世。附面帝王用《史记》经典共七十六篆字，对春秋战国先人、良相之怀念，铭刻玉板，好似寓意又似予见，二千余年后，展示于今天。历史久远，体量硕大，工艺绝伦，寓意之深，篆字之精美，此作品应出至那个年代宫庭内最有名的书法、雕刻家之手，为大师作品之最。此玉屏应为孤品，目前在国内外收藏界中是绝无仅有的。此玉屏对考古及研究那个历史阶段政治经济的发展会有很大的帮助，同时也是那个历史段落最好的佐证。
The jade screen is take the hotan is product of white jade expected, the positive to full screen by god hard hollow out relief map, vehemence pound bo, macro day only, highlighted by god hard heavy xian, cure country HanWu prosperous time. Attached to the plane of Kings and emperors used shiji classic seventy-six integrate, to miss the spring and autumn period and the warring states period, a good phase of the ancients, engraved jade plate, like moral also like to see, more than two thousand years after the show today. Long history, huge quantity, craft, deep meaning, the elegant, this work should be out to one of the most famous calligraphy inside the s palace, sculptor, to master works. This jade screen should be orphan works, at present is in the collectors at home and abroad. The jade screen to archaeological and study in that phase of history, political and economic development will be a big help, also is the best evidence that paragraph of history, at the same time.
其中《管晏列传》一文。主屏（加管晏列传四字）五十六个篆字。“故论卑而易行。俗之所欲，因而予之，俗之所否，因而去之。时而政也，善因祸而为福，转败而为功。贵轻重，慎权衡，桓公实怒少姬，南袭蔡。支架两侧四面篆刻《管晏列传》摘记二十个篆字。“其御之妻从。晏子长不满。六尺身相齐。今者妾观其。”主屏与支架组合篆刻司马迁《史记》中，《管晏列传》一文共七十六个篆字。目前此玉屏在国内外收藏界中系孤品、绝品。对其考古研究和艺术品投资有着不可估量的升值空间。
The biographies of GuanYan. The home screen (and upright GuanYan four words) 56 integrate. "The reason of low and easy. Of the vulgar way, thus to, common place for ever, and therefore to it. Also from time to time, good for evil is blessed, failure to work. And your weight, balance, huan and less real anger ji, south on CAI. Stand on both sides of the seal cutting and biographies of GuanYan notes twenty integrate all around. "From the royal's wife. This long. Six feet and phase. In my view it." The home screen and stent combination seal cutting sima qian in shi ji, biographies of GuanYan are altogether seventy-six integrate.At present the jade screen is orphan works, belly in the collectors at home and abroad. The archaeological research and works of art investment has immeasurable appreciation of space.
值得一提的是，此玉屏还有一个喻义值得研究，《管晏列传》出至汉代的伟大史学家司马迁所著的《史记》中一文。如人物与玉屏都是出现在同一个时代，好象隐藏着那个年代文采武略的帝王，先前对司马迁的不公，死后以《管晏列传》铭刻玉屏，隐喻着一种对伟大史学家司马迁的凭吊与敬仰呢！
It is worth mentioning that the jade screen and a inter-cultural worth studying, and biographies of GuanYan out to the greatness of the han dynasty historian sima qian's shiji in the article. Such as character and jade screen are in the same age, seems to hide the wu emperor, s gift previous injustice of sima qian, died in biographies of GuanYan carved jade screen, a kind of the metaphor for the great historian sima qian mourn with respect!